Saturday, June 27, 2015

The Right Track Inn, October 17, 1992


Always a great sound mix at the Right Track Inn! And with a great mix....you get a better show!

The Right Track Inn was probably our favorite place to play in those days; Jon always did the greatest mixes for us, bar none.  He loved the band, and you can hear him dropping in "Bitches Brew"-type echo on Lawrence's trumpet. I think Chris is actually standing at the soundboard and talking about the mix with him.   We tended not to take the Right Track for granted, and usually prepared (and delivered) a good show.

Great to hear "Return Britain" with some accordion, trumpet, synth, and electric piano!  This song had mysteriously vanished from the sets once Frank left, and it seems as if we resurrected it around this time.  I really can't account for why so many songs left the repertoire (for instance, "Ocean Town"!) when Frank left - the transition was as smooth as could be since Lawrence had been jamming with us for months.  Well, whatever the reason, we spent most of '92 playing a narrower group of songs and we definitely did the right thing by bringing back some oldies and learning some new ones.....such as one of this show's highlights: Lawrence & Louis dueting on trumpets for the instrumental break of "Bucketful Of Rice".  Beautiful.

We become an unprecedented seven-man band when J.P. joins us for a wild "Thundersong"!  Right from the intro, with two trumpets, accordion and harp all going strong....along with vocal madness from Lawrence, Hubie and Mikey Goodguy.... this is cool!  J.P. sounds great!  Steve and Lawrence and Louis all going crazy.  Ted, Mike & Hubie also, very in-sync instrumentally!  Great version!

Full disclosure: At this show, I was my typically insane, control-freaking, rude self to J.P.  (I'm talking onstage!)- gas facing and shouting as I tried to control and preserve the shape and dynamics of the song's arrangement and vocal harmonies - a noble endeavor, sure - but I ended up inhibiting another musician and putting off a bad vibe, and I publicly offer this heartfelt apology to him, this finest of musicians.  Especially because he sounds so great, and also - like all the Allens - a really super-nice person.  One listen to my always-oversung verse, dripping with ego, always ruining one of our best numbers ... you can hear who's the biggest asshole in this band, that's for sure!   So take that, 1992 Mike!

By the way, J.P. continues to be a force in music, and the harmonica!  He is now in Hawaii and makes really great instructionals for harmonica!  Check it out!

http://www.harmonica.com/lessons/?gclid=COD10_L7r8YCFdgSgQodqOkIqw
https://www.youtube.com/user/jpallen7


Right Track Inn, 10/17/92
/It's Warm Outside
Return Britain
No Excuses
I Know Your Name
Bucketful Of Rice (All I Wanted)
Thundersong
Gimme Fun

Hubert Poole - guitar, vocal, percussion
Ted Schreiber - bass, vocal, percussion
Lawrence Krauser - electric piano, synth, trumpet, disembodied vocal
Michael Goodman - drums, vocal
Steven "Now" Goodman - percussion, accordion

special guests:
Louis DeVirgilio - trumpet (from "No Excuses" -> end of show)
J.P. Allen - harmonica (on "Thundersong" & "Gimme Fun")

recorded by Chris Ivers, fantastic in-house mix by Jon (I so wish I had his last name!)

download here:
http://www.mediafire.com/download/x7bxqle9t8ar369/1992-10-17+Right+Track+Inn.zip
or if you prefer Dropbox, click here, though this link will expire in a week or so:
https://www.dropbox.com/s/h6lk0lotuuyrip8/1992-10-17%20Right%20Track%20Inn.zip?dl=0
LOOB's workload for October of '92 - I believe Ward made this flyer.

Friday, June 26, 2015

Nightingale Bar, June 26, 1992


A week and change after the Ted's birthday gig - and two days before the Ronkonkoma Day show - we return to the Nightingale Bar.  Now why, you ask, are we right back at the Nightingale Bar, so soon after the Ted's Birthday gig?

Tom, from the Nightingale Bar, had accidentally double-booked us; he had booked the Ted's Birthday show....but he had also penciled us in for the 26th.  We thought he just liked us and were giving us two gigs!

Close to the night of the show, Tom called and explained it was an accident - that he had accidentally double-booked us, and that he already had a show booked that was going to include members of The Spin Doctors and Blues Traveler (two bands that were having some success at the time....and that had gotten their start at the Nightingale Bar).

Rather than giving Tom a break - we insisted on playing the show.  After all....we had sent out flyers!  I'm not sure, but it might have even been me who dealt with him; for a time Ward was away, and I, of all people, took over our bookings!  Because by this point we had a well-oiled machine, and a circuit of venues, it was just a matter of picking up the phone and seeing what dates were available.  I'm not sure if the reason we insisted on playing was because we were afraid some soul would get our flyer in the mail, and show up at the gritty East Village club, pay the cover, and not get a LOOB show.....or if it was because we just wanted to play as much as possible!  I think it was the latter!

Ironically, the flyer was a picture of a big fat hog of a guy (looking not unlike Mike circa 2015!)...we were that guy...greedy to play! 

I actually remember much about this show!

For one: it was Gillian's birthday!!! Happy Birthday, Gillian!!!  Normally, we would have done a big thing on stage about it - but we had just had this big Ted's birthday gig a week before, in the same exact club....the balloons from Ted's party were still listlessly hovering around the jukebox.....did we want to be known as "the Birthday Band"? At this, the grimiest of all clubs?  We didn't even have that many of our own people in the audience.  I remember we debated this pre-show, and settled on a tasteful shout-out during the intro of "Thundersong".  But let it be known: Gill deserved her own birthday cake at this show!  We all loved Gillian and were genuinely happy for Hubie's good fortune.  And of course, Hubie and Gill are still together, with a beautiful family....so definitely June 26 is a date on the calendar that's worth celebrating!

Because he had this extra band (us) on the bill, one thing Tom had specifically requested of LOOB was to make it a quick set.  (and remember how long it used to take for us to set up....ESPECIALLY at the Nightingale Bar?)  We went on at about 1:00 in the morning - the place was crowded.  Because he had asked us to make it short, we wrote out a set that we banged through with minimal breaks.  Afterwards, Ted's sister came up to me and berated me (I was the setlist guy) for not giving the audience a chance to clap!!! "You don't understand, Mike...you have to give the audience a chance to clap!". 

Poor Steve, though!  My enduring memory of the show itself is the very end of it!  We're crashing and dragging out our big "Gimme Fun" ending (and dragging out "Gimme Fun" in general, not our best version...one might say it's a very inconsiderate version!).....all of a sudden, Tom jumps in front of the band, waving his arms - "Achtung!" - and GRABS Steve, yelling at him to stop the show!!  We were getting the hook big time!  Steve - who had just performed a percussion solo and was "in the zone" - and who probably was the band member least likely to know the backstage gossip and instructions from the club-owner - was....traumatized!  Perturbed! That's all I can think of when I hear this "Gimme Fun"! By now, it's about 2 in the morning....and the main band that packed the place is still waiting to play! And we're dragging out "Gimme Fun" as if we were getting paid by the minute!

Oh well.  No harm done.  We went on to play the joint many more times, so obviously Tom didn't hold it against us!

As far as the tape: this show is better than the Ted's Birthday show, a much better listen.We're way more together.   I wouldn't say this is our most "beautiful" show, we're a bit aggro and cocky and maybe even obnoxious - especially if you know the back-story...this was hardly a "quick" set...and Hubie loses his voice at the end.  But we put on a show, have to say that! 

So see how you like Life Out Of Balance at their naughtiest....on 13th and 2nd....all those years ago...!



Nightingale Bar 6/26/92
I Owe ->
It's All Right ->
Thundersong
It's Warm Outside
Caveman ->
Smile ->
Someone's In My Head
Gimme Fun

Hubert Poole - guitar, vocal, percussion
Ted Schreiber - bass, vocal, percussion
Lawrence Krauser - electric piano, synth, trumpet
Michael Goodman - drums, vocal
Steven Goodman - percussion, accordion

recorded by Chris Ivers

download here
http://www.mediafire.com/download/xesf7d780e4qu55/1992-06-26+Nightingale+Bar.zip

or if you prefer Dropbox, this link will expire in a week or so:
https://www.dropbox.com/s/hc9vopksqluizb6/1992-06-26%20Nightingale%20Bar.zip?dl=0

Thursday, June 25, 2015

The Kenny Dugan Sessions (raw tracks), Rocky Point Studio, June 25 - 27, 1990


In my mind, we did a demo in the summer of 1990 at the Rocky Point studio, with Kenny Dugan engineering.  We got a good version of "Return Britain" out of it.

What my mind did not retain: this was a full-blown production, with sessions spread out over a three-day period, vocal overdubs a few days after that!  And so today, I give you Life Out Of Balance: The Complete Kenny Dugan Sessions!

Kenny Dugan was the guy who did sound for us at our first show in Southampton. He did a great job and really dug the band.  Right then and there, he offered to record us in his mobile truck (for a fee), and so on June 25th - twenty-five years ago today - he parked his vehicle in the Rocky Point studio driveway, and we began making tracks.  Lots and lots of them!

At first it seems the idea was to do a live demo, with vocals recorded live.  That was day one.  All that was put to tape were some "We Both Wobble" attempts (a song we would play over and over again over the course of these sessions, never getting the magic take!), and a distorted version of my musical atrocity, "I've Got An Onion".  The opening jam is just us warming up, but by the end of it we are sounding tight.


Day two: We ditch the live vocals idea and start recording instrumentally, with voices to be put on at a later date.  It's particularly interesting to hear Frank take-to-take, trying out different solo ideas, on both "Return Britain" and "We Both Wobble". The first "Return Britain" is particularly great! It's amazing we didn't use that one as the take!  Man, I could listen to "Return Britain"s all day!


As the session goes on, Kenny tried different reverbs and echos.  We must have gone into his truck for a listen and told him to lose the effects, because for Take 11 we get an emphatic slate from Ken: "No echo!".  (Ken spent the entirety of these sessions in his truck with his assistant).


Day three: Tape one is listed as  "level checks", and tape two includes what became the "Return Britain" master take. But maybe the dates on these tapes might be a little off!  It's hard to tell!  When the clock strikes midnight...is it today, or is it tomorrow?  Sometimes a tape is labeled one date, but Kenny's slates might be a day later, or before.  It's a little fuzzy. 

Anyways, tape one begins with us doing King Curtis' "Soul Serenade" and a funky jam to warm up on.  Aside from "Wobble" and "Return Britain", I was surprised to hear us do a few takes of "Is It Safe", no memory of this, and surprised we didn't put some vocals on one of these takes!


We ran into the same exact problem with "I Know Your Name" that we had during the 1988 demo (posted yesterday).....the stops throughout the song made it hard to overdub a lead vocal, and so - just as we did in '88 - the song was abandoned!  I never did get to appear on a proper recording of that old LOOB warhorse!

After what sounds like a grueling couple of days, doing "We Both Wobble" ad infinitum, we took a break, and reconvened (sans Kenny) on July 1st and overdubbed vocals (dry, no effects) on to "Britain", "Wobble" and "I Know Your Name". (for the original finished mix of "Return Britain" click here.....and for  recent mixes of all 3 songs we did with vocals, click here....)  Only "Return Britain" came out satisfactory, and I remember feeling a bit down about it.  We had spent all that time and money...and only came out with one song to show for it all.

But as you can hear - Kenny got a great mix on us, no question about it.  These tracks sound great, warm and full. And we definitely had the players to make a great track!  But unfortunately, we never again attempted a recording with this seminal lineup of the band.  Unbelievable.


Kenny Dugan sessions, Rocky Point Studio, 6/25-27/90
6/25/90
Licking Stick jam
We Both Wobble
We Both Wobble
I've Got An Onion

6/26/90
Return Britain
Return Britain

We Both Wobble
We Both Wobble
We Both Wobble
We Both Wobble
We Both Wobble
We Both Wobble
Beating A Dead Horse /

6/27/90
Soul Serenade
Jam
Return Britain
Is It Safe?
Is It Safe?
We Both Wobble
We Both Wobble
I Know Your Name
I Know Your Name
I Know Your Name
Return Britain
We Both Wobble
We Both Wobble
We Both Wobble
Is It Safe?
Is It Safe?

Hubert Poole - guitar, vocal
Frank Russell - guitar, vocal
Ted Schreiber - bass, vocal
Michael Goodman - drums, vocal

Recorded by Kenny Dugan using a Tascam Porta-two cassette 4-track

download here:
http://www.mediafire.com/download/i3pzztr0ms5iatb/1990-06+Kenny+Dugan+rough+tracks.zip

or if you prefer Dropbox, this link expire in a week's time:
https://www.dropbox.com/s/ochn1cehzmt1nbs/1990-06%20Kenny%20Dugan%20rough%20tracks.zip?dl=0



Wednesday, June 24, 2015

1988 demo - raw tracks, no echo

 
Whoah!  We've got some surprises on this one!

A year later, and we're still in the Suffolk Office and recording our second 4-track demo.  To hear the finished product, click to this post.  That's the way this demo is meant to be heard.

But listening to these raw tracks is very entertaining!  For some reason, we sing along to some of the earlier takes, so there are actually complete alternate versions.  One song that we didn't do alternate vocals on was the first take of "New Voice".  Other than the very last note, this is an absolute perfect take of "New Voice" and it's a tragedy we didn't use this one!  Something I had no memory of: we attempted two versions of "I Know Your Name" - a song that we often found difficult to record because of all the stops.  It's pretty funny listening to us give up mid-way on this one......after the instrumental break, the vocals do not return!
Summer of '88, Hubie with 12-string.
Possibly the biggest surprise is the very last thing on the cassette.  With not much tape left, Hubie laid down a solo demo of a song that I only have brief snatches of, played while setting up on various rehearsal tapes.  I don't think this song has a title, I always wrote "Flowers" to label it, from the lyric "I never bring flowers for you", but I'm sure that is not the title.  Why we never did this song, I know not.  I know that we all liked it, it had this great chord progression between the verses......what I think might have happened is a very familiar phenomena: we would get together....then we wouldn't get together.....when we would reconvene after a hiatus, there would always be songs that Hubie couldn't remember the chords to.  Hubie really had his own style of voicing chords, and he was always writing down chords in tab, he kept a little notebook.   But sometimes he couldn't remember how something was supposed to go, or he hadn't written it down.  I know  "The Bushman" was such a song.  I'll bet that's what happened with the song I call "Flowers".


I have since lost the tape we did our soundchecks on.   But I did dub a part of it, the three of us jamming on Dave Brubeck's "Take 5".  So I tagged that on to the beginning, even though it's incomplete.  This session was filmed on video, and shows us playing "Take 5" (and some of the other songs).  It also includes two great "videos" of us doing "I'm So Tired" and "What You Say" in the warehouse.  I have this video!  I know it's taking forever, but the video from this session (showing off the amazing Suffolk Office) will be seen again, here, soon!!!

In the meantime, enjoy this great weekend (I seem to remember us recording the vocals the next day, in our "lounge") from long ago!

Suffolk Office 4-track demo, raw tracks, 7/88
Take 5 (excerpt)
Return Britain (take 1)
Return Britain (take 2)
New Voice (take 1)
New Voice (take 2)
Inside Outside (take 1)
Inside Outside (take 2)
I Know Your Name (take 1)
I Know Your Name (take 2)
I'm So Tired (take 1)
I'm So Tired (take 2)
What You Say
I'm So Tired (take 3)
I'm So Tired (take 4 - aborted)
Untitled Hubie song ("Flowers")

Hubert Poole - guitars, vocal
Ted Schreiber - bass, harmonica, vocal
Michael Goodman - drums, vocal

recorded at the Suffolk Office on a Tascam Porta-two cassette 4-track


Download here:

https://www.mediafire.com/?nqa26y6ik8r4ma5
or if you prefer Dropbox, this link will expire in a week or so:
https://www.dropbox.com/s/07425p60znrrf4c/1988-07%20demo%20raw%20tracks.zip?dl=0

Tuesday, June 23, 2015

1987 demo - raw tracks, without echo



Hearing those 1986 mixes whet my appetite to hear what other "outtakes" there might be.  So I dubbed all the raw tracks from our various demos!

Today is the August 1987 4-track demo we did in our office space.  The finished product had (much-needed but tasteful) echo, here you can hear what a good job we did achieving separation!  I seem to remember Ted being chief engineer on this one, at least in microphone placement and what was going to tape.  The drums are on track one, the bass track two - it might have been a blend from one of the two extra ins we had on my Tascam! (see below - I told you it was the perfect machine!) - the guitar is on track three, with a slight bit of leakage on the drum track....and then on track 4, we overdubbed the vocals on one microphone, one track.
It's four tracks - but there's six faders!  5 & 6 could be assigned to one of the other four tracks.  We probably had two microphones on the drums (going to track 1), and a microphone/direct-in blend for the bass going to track 2.


Not much to say, basically we did many takes of "Wintertime", but nailed "Is It Safe?" and "Easier Said Than Done" in two takes apiece.  Then we came back and did a couple more "Wintertime".  In fact, we say..."let's do one more!", and that's the take.

Hearing us talk, I now remember, we had some kind of baffling, I was cut off from the other guys, and we couldn't really see each other.  Or at least I couldn't see them, that's what I'm talking about on the tape.  And I probably couldn't hear them very well either, we didn't have any good headphone mixes, and everything was as isolated as could be.  This is why sometimes it sounds like Hubie & Ted are connecting tight (they were standing next to each other), and I'm....somewhere else!
Ted & Hubie in the office space, autumn 1987

You can definitely do some LOOB karaoke with these tracks. As I said, these are just the dry tracks, no echo added, and I barely did a mix on this, I just put got some levels and dubbed the tape.  But I must say, we got some great sounds on the guitar, bass, and drums!  Or I should say Ted did!

It's also nice to hear the vocals up close and dry.  I totally blew "Is It Safe?", aaaargh, makes me cringe!!!!  Soon after this, I ditched my initial instructions from Ted and just sang along with the "na-na-nas" at the end (as opposed to going crazy like Otis Redding, which I could never do.  On this recording, I just sang "whoahs" over the guys since I wasn't feeling like I could pull off the Otis thing.......aaaaargh, makes me cringe!)

After the session, Ted and I went to his house, and mixed the demo through the night in that downstairs TV room, on the floor.  My memory is of doing it with the lights out!  What probably happened is that we listened to it at the end with the lights out.  I remember us being really tired at, like, 4 in the morning, when we were finally done.  Maybe that's why the finished demo has such a "nighttime" feel to it.  We used my effects rack (which got stolen out of my door room later that year) and the reverb we put on made it all sound moody and gave the tracks the cohesion they needed. All in all, it went according to plan!  Except for the gig we were trying to get!  They probably heard me on "Is It Safe" and said "no"!

You can hear how we did with the mix by clicking here!  That's the way these tracks ultimately should be heard.   But after you do that, have fun with these rough tracks.
Raw tracks, 4-track demo, Suffolk Office, 8/87
Wintertime (take 1)
Wintertime (false starts)
Wintertime (take 2)
Wintertime (take 3)
Wintertime (take 4)
Wintertime (take 5)
Is It Safe? (take 1)
Is It Safe? (take 2)
Easier Said Than Done (take 1)
Easier Said Than Done (take 2)
Wintertime (take 6)
Wintertime (take 7)

Hubert Poole - guitar, vocals
Ted Schreiber - bass, vocals
Michael Goodman - drums, vocals

recorded on a Tascam Porta-two cassette 4-track at the Suffolk Office, mixed at Ted's house


download here:
http://www.mediafire.com/download/u9dxq1d26gnvwfw/1987-08+raw+tracks+for+demo.zip
or if you prefer Dropbox, this link will be up for a week or so:
https://www.dropbox.com/s/jnmvrbimm1hlisd/1987-08%20raw%20tracks%20for%20demo.zip?dl=0

Saturday, June 20, 2015

1986 demo: rough mixes with alternate vocals + radio airplay

September 1986.  At this point "LOOB" is "LOB"!
One of the first things I posted on this blog was our 1986 8-track demo.  You can read all about it there.

Today's post is of all the rough mixes and materials I have related to that summer of '86 demo....and wow, are there some surprises!  I have two sets of mixes, both from Legend Studios before the sessions switched to Ken Kamen's studio.  They show the songs in different stages, and with different mix ideas.  Rough mixes are always the best!  The flange at the end of "Can't Say No"....I always missed that in the finished version!  The only thing that remained of Ted's vocal on the finished product was the ending "oh yeah!" Ward would end up singing this song on the finished demo, infusing it with a new energy that it needed.
Even from Fredonia, Ted was trying to organize a photo shoot for the band! To this day, I have not a single photo of Ward!


Speaking of Ward, it's great hearing not one, but two alternate "I Cried" vocal performances from him!  And with different effects.  This first batch of mixes comes from the mid-point of the summer, where Ted and the engineer Bob did some rough mixes, with various effects ideas.  The second batch comes from after we went back into Legend and cut "Above The Grass, Under The Moon" and "Heart And Mind".  If you ever wanted to hear a Hubie lead vocal on "Above The Grass, Under The Moon"....now is your chance!!!  The shock of my life when this came out of my speakers!



the pencil is fading on this other letter from September 1986.  Click to enlarge.

So on top of all these great alternate vocal performances, I have some LOOB airplay I taped off the radio.  Before Ted left for college way upstate in Fredonia, NY, he carted up some of the tracks for WUSB.  My copy of the demo was missing "Heart And Mind", so I had to request it on WUSB!  This broadcast is the first time I heard the finished track!  The "I Cried" broadcast has our favorite DJ, Brother Nick Capozzi, doing a hilarious rap at the end when he realizes how short "I Cried" is!  Viva Brother Nick!!!!  One of the all-time greats!
Brother Nick (with a glimpse of Brother Bill) in the WUSB studio.   Behind him are "carts", which Nick refers to in the recording.... Ted had made carts of three of the tracks: "I Cried", "Above The Grass, Under The Moon", and "Heart And Mind".

And - just as the year before - we didn't get together again (pretty much) until spring of 1987!  Ward was back in NYU, Hubie was in Nassau County at school, Ted was way way far, 500 miles, near Buffalo.  I was in high school! We had a rehearsal, probably on one of the holiday breaks, in Hubie's parents' basement.  I also seem to remember a rehearsal in Ted's "library", just Hubie, Ted and myself, I think that's where we first tried out 'I Know Your Name"...and that would have been in the late winter/early spring period. 

But what came next is for another post!  In the meantime, have fun listening to these tracks!  Glad I found 'em!!!



Summer of '86 rough mixes, Legend Studios
I Cried (alternate vocal)
Feast Of Reason (alternate vocal)
Can't Say No (Ted vocal, flanged ending, no backups)
Above The Grass, Under The Moon (Hubie vocal)
I Cried (alternate vocal)
Feast Of Reason (alternate vocal)
Can't Say No (Ted vocal)

Autumn of '86, WUSB airplay
Heart And Mind
I Cried  (with Brother Nick)

Ward Regan - vocals on "I Cried"
Hubert Poole - guitar, vocal
Ted Schreiber - bass, 12-string acoustic, vocals on "Can't Say No"
Michael Goodman - drums

recorded at Legend Studios, East Setauket

download here:
http://www.mediafire.com/download/02dd86dgsakcr0s/1986+rough+mixes+and+airplay.zip

or if you prefer Dropbox, you can use this link but it will only be active for a week or so:
https://www.dropbox.com/s/qq5cld0mx5bsivy/1986%20rough%20mixes%20and%20airplay.zip?dl=0

Thursday, June 18, 2015

Happy Birthday, Ted!


Happy Birthday, Ted!  One last time!  All these years, I never realized you shared McCartney's birthday!  Which of those two is the better bass player?  That's a tough one!!!


I find myself singing the praises of Frank and Hubie a lot on this blog.....and I've written extensively about Dancing Lawrence.....but one guy maybe I don't do enough about - because I guess I thought it was a given - is Ted!  Surely, a massive amount of words are due this founding father of LOOB, and a major person in all of our lives!  So here we go!  Massive amount of words coming up!

Me and Hube? We could slop things up from time to time.  No shame in that, we delivered the goods plenty, but sometimes.....  Frank and Lawrence?  They could hit wrong notes. When they hit the good ones , forget it, there was nobody on the planet who could beat them.  Nobody!  When they didn't hit it?  Ouch. In fact...double ouch!!!  It happens.  You try inventing solos fifty times a night, composing melody after melody on the fly, whenever the lead singer decides to shout "Take it!" Not so easy!

But from the earliest tape to the last tape, Ted is always solid, always apt....and ALWAYS distinctive, inventive, dripping with personality in his playing, you can always pick Ted out of a lineup. That's actually something we all had, we all had distinctive voices on our instruments....you know who's playing guitar, or bass or drums, or electric piano, or accordion....in two seconds. And those instrumental "voices" matched the personalities behind the players, did they not?  We all have that quality.....Ted has that in spades.

A girl once told me - a musician, no less, someone who you'd think would know better - she  told me she didn't get what was so great about Ted, she didn't get bass, period, and she didn't understand why Ted was such a great player. I looked at her with such revulsion, I still can't take her opinion seriously!  To not get Ted.....is to not get music, itself!  Or to put it more bluntly.....you don't like Ted's playing......you are against puppies and children!

Other than a few "Return Britain" solos - and even then, only when he's playing fretless, and gets a little "slurpy"..... and even then, only very occasionally - Ted never, ever, ever plays the "wrong" thing - Ted is pretty much the secret weapon of the band.  The guy grooves like nobody, he is so damned melodic, think of all the catchy bass lines in LOOB! Off the top of my head, "That's Not The Way", "I Owe","Gimme Fun", "Wintertime", the little tagline he puts at the end of the "Return Britain" chorus....it's more like which basslines of Ted's WEREN'T catchy.  He has a tender, playful touch. Emotional.  His sense of humor is VERY present in his playing, his playing can be totally funny, that's rare.   He is funky as hell....and with, like, two notes!  Not fifty.  He doesn't dazzle you with bullshit.  He is never in the way, never busy.  Every note is filled with heart and soul.  Every fucking note!  Find me one tape where it isn't!  Even when we were kids - and Ted wasn't particularly nimble on the bass pre-1984 - but you can't deny, he had a sound, a style, and you always know it's him.

I've  played with tons of bass players who can do all kinds of fancy stuff, real impressive, complicated tricks, just like any instrument.  Back then, a lot of guys were into slapping.  "I can slap", they'd say.  "Yeah? Who cares!" I'd say.   Or think, rather. (don't want to antagonize bass players, they are very in demand!)

Very few bass players can contribute to a song, and contribute to a jam, like Ted.  The guy was our shortstop.  And, if you're onstage and something needs to be said to the audience? Ted's been on the radio since he bluffed his way onto the college station, when he was in 8th grade!  Many times I've been onstage and had to tune, and I just say, "Ted, give us the weather" and off he goes, like the EverTeddy bunny!

Best bass player I've ever played with, bar none.

Were that all there was to dear Ted, we would have been quite the lucky band.  But Ted brought more to the table - (leans in close) - much more.

For a starter - staying on the musicianship track here - he gives his all to harmony singing.  Practically a lost art - I remember three generations of my family breaking into three-part harmony just singing "Happy Birthday" - I found a tape of my mother, my brother and I singing doo-wop in 1983 - harmony is just not all around like it used to be.  Well, Ted - who, again, didn't necessarily come naturally to harmony singing when I first met him at the age of 11 - sings his heart out.  Always supporting the song.  This was very helpful when I'd bring in a song, like, "Caveman", and no matter what else happened, you knew Ted would be with you on the harmony.  Hubie & Ted had a particularly good vocal blend.

We'll get to his writing in the next post, but on top of all that: logistics.  Brains.  Idea man. Hustler.  Shmoozer.  King Shmoozer. This guy never met a conversation he didn't like.  He's got lots to say, and boy does he say it.  And bless his little cotton socks that he does!  The whole idea that Life Out Of Balance didn't die in its crib can be laid at the big feet of Maestro Schreiber!  This guy would let NOTHING stop him from talking who needed to be talked to.  This guy could sniff out who was who in a room within moments, while the rest of us are still loading in gear.

Oh, and did I mention funny?  Ted Schreiber = laughter!

When I met Ted, I hadn't met anybody like him.  This was a new teaching. The guy was erudite at 11.  He knew politics, how business worked, could size people up, often scathingly....usually accurately.  Not to employ an old hackneyed expression from merrie ole England, but he never suffered fools gladly, that's for sure.  

He could ruffle feathers with his forthrightness and directness.  He doesn't mince words.  He has a habit of keeping you on your toes by giving you back-handed compliments: "Great show...so much better than your last one!" He also has lots of heart and is one of the most generous people I've ever come across.

It couldn't have been easy for Ted.  Let's face it: the guy has been heavy his whole life in a society that can't even give Cass Elliot her due without making a fat joke.  Shame on them!  He came from an intelligent family in the middle of the dopey American suburbs.  He was Jewish in a small, pre-dominantly Catholic town.....then was shipped to a born-again Christian private school.  (I still can barely fathom Ted in that setting) Ted could easily have been a walking bundle of self-doubt and insecurity.

Instead, Ted is one of the most confident people I have ever met.  And he is EXACTLY as he was the day I met him, when I was 10 and he was 11.  Not a thing has changed. This guy used to make mincemeat of his teachers! That's why they sent him to private school.....his public school teachers would get red-faced and angry!

One Ted story, a legendary one that only you guys will get, and then we'll end this asskissing.  I don't know why this popped into my head but here it goes......

Ted and I, even before LOOB, could fight like crazy.  It didn't help that I'd steal his records  (sometimes that attitude of his caused a little resentment, what can I say!). Don't know what the problem was on this particular day...but he chased me around his house with a fucking steak knife! I fled for my life and seeked refuge around the corner at my buddy Andrew Atkins' house. 

Calming down and coming to his senses, Ted began to worry about where I was.  Maybe he thought he could get in trouble.  What was he going to say when my mother showed up to drive me home? What was he going to say to his mother when came home and asked where I was?  So Ted got on his ten-speed bike....who knew Ted even had a ten-speed bike!....and decided to cycle all the way across town......nowhere close, this was going to be a trek.....and see if I somehow made it there and....if need be.....tell my Mom what happened. 

Trouble for Ted was: he didn't quite know where I lived!  Or at least how to get there!  And any of you guys who remember where I lived will remember....HILLS.  Big, giant, steep steep hills, going up, going down, and then back up.  San Francisco has NOTHING on the old section of Rocky Point.  Not only are there tons of hills.....but miles and miles of them, streets, side streets, winding streets, it is so easy to get lost back there......and you can drive for a long time before you find something familiar.  Even my brother and I would leave a trail of breadcrumbs when walking around...and we're from there!  A couple of years ago we thought we'd walk around the old neighborhood and look at the Christmas lights.....we got so lost we almost started to panic!

So Ted enters the rollercoaster maze of hills...on a ten-speed.........and he proceeds to gets lost.

Let's take a look at some of the hills Teddy had to drive up, or down!

Going down is a blast!


.....going up....not so much.
....almost there, Ted!  Keep pedaling!
....hmmm.....now where do I go...
....shit....more hills....
maybe this way.......wasn't I just here?.....

Oof. Can you imagine??? MILES of this! Ted! Our Ted....perched on a ten-speed!  Trying to negotiate hill after hill after hill....with no end in sight!  Would he ever make it home?  Would he be lost forever?  If only there was a portable phone you could carry around with you at all times!

Just as the sun was setting, my Mom looked out her window and was startled to see a red-faced, out-of-breath, sweaty, worried Ted Schreiber, pushing a bike up our driveway (another hill) and panting....."Is.....is Mike here?"  He'd made it.

"Why no! I thought he was with you!"

My mother invited Ted inside and gave him some water.....and quickly deduced that I was probably around the corner from Ted's house at my buddy's....and so I was!

The point of this all?  There is no point!  Ted's got heart, how's that?!  He might be heavy....but he can pedal the fuck out of a ten-speed!

Happy Birthday, Maestro!  I could write fifty more posts about you, how I STILL play one of your earliest songs, "My Town", on the piano....how I play lots of your songs on guitar.....in fact, I very well might record a Mike Sings The Songs Of Ted album one day! I just might!  And of course.....without Ted......NO LOOB!

And so, for that, more than anything.....readers of this blog have much reason to celebrate this day of days!

The Maestro at work.....the Rickenbacker bass behind him was bought as an homage to Sir Paul McCartney....also born on this day......


Ted demos, 1987-1993


You know what songs I'm getting sick of?

"No Excuses" and "It's All Right".

Oh, they're great songs, don't get me wrong!  But you'd think that's all Ted ever wrote!

The truth is: getting songs into rotation was probably only slightly easier than giving a crocodile a belly rub!  When you've got a Hubie Poole walking in, picking up a guitar, and immediately playing "I Know Your Name" and we all fall in, without effort....it's completely understandable!  Especially when you've got only a couple of hours to rehearse!  Anything else is hard work!  And there's a reason we call it playing music! Let's get this sounding good.....now, not later!  You'll notice in our rehearsal tapes, we seldom play a song more than once or twice, we run-through them.

Regarding the Ted songs we did, "It's All Right" was a song Ted had written years earlier; in fact, it was the very first song he recorded on the 4-track he bought back in 1987!  The whole song was E, and A. Even if you were trying to sabotage it, you couldn't help but play it right.  Other than that - and liking it as we did - we were on no special mission to play "It's All Right" every show.

"No Excuses" got people clapping at it's first public airing,so that was in.  I insisted we learn "Dog Days" and "Four Walls", that was my own personal crusade, once again, two older songs of Ted's, dating back to 1989 when we first started doing them in 1992.

But what of the rest of Ted's output?

 I have a million Ted songs and demos, scattered over many tapes, and I still haven't found them all (like a great one called "To Be Alone"! Oh where oh where is my copy of "To Be Alone"?!)

There's a million ways to present these demos, I've settled on two small "scoops".

 Here's the first one.....  beautiful, beautiful songs, songs that LOOB didn't do - some we could have done great, others are just songs (or recordings) that I personally have affection for.   I hope you love them as much as I always have.  I won't talk them out, I'll let the songs speak for themselves....other than these three quick things:

1. These are demos, not finished products, and in many cases, not completed compositions, so keep that in mind.

2. Of all the music I've been a part of, "Sweetest Amour" is one of the recordings I am most proud..

3. The end of "Another Million".....beautiful, have to give kudos to the birthday boy and Frank as well....Just wish I had it in better quality!

Viva Ted! Thanks for the great songs, Maestro!


Ted demos, 1987-1993
Sweetest Amour (1989)
Another Million (1993)
Wasting Time (1988)
Instrumental (1987)
Money In Your Future (1990)
Trying To Talk To You (1987)

You're Lucky I Don't Have Much Time On My Hands (circa 1988-89) 
Bum On The 4th Floor (1990)
Wish You Well (1987)
You Don't Make Me Laugh  (circa 1988-89)
Four Walls  (circa 1988-89)
A Gentle Separation (1987)
Why Would You Ever Want To? (circa 1988-89)
Time Moves (circa 1989-1990)


Mike - drums on "Sweetest Amour"
Frank - lead guitar & organ on "Another Million"
Ted - everything else

"Sweetest Amour", "Money In Your Future", "Bum On The 4th Floor", and "Time Moves"recorded at the Rocky Point Studio, 4-track

"Another Million" recorded on 8-track, Frank's Room

everything else: 4-track home demos.

download here:
http://www.mediafire.com/download/bink5i67yypahl0/Ted+demos%2C+1987-93.zip

or if you prefer Dropbox, this link will be up for a week or so only:
https://www.dropbox.com/s/2bd5rru3jcz4zkt/Ted%20demos%2C%201987-93.zip?dl=0




Ted's demos (LOOB songs, 1987-1990)


Ted and I always picked each other's songs to try and break into LOOB. These are Ted's demos of what became LOOB songs. 

"Second Version" (December 28, 1989)
The last LOOB related-recording of the 80's! Gives me chills and catches me by surprise.

"It's All Right" (version 1 - 1987)
This is the very first thing Ted recorded on his 4-track, and finds the future LOOB warhorse in an embryonic state.  We actually didn't start doing this song until Frank joined the band in 1990.

"I Paint" (1987) - Once in a while, we'd love a Hubie song so much, we'd try our hand at finishing one of his songs!  At the time, he was working and going to school....and he often didn't have all the lyrics done.  Which is quite natural! The best way is to let the song marinate as long as possible and let the words fall as they will!  But back then, we were impatient!  A chance comment as evidenced on the Fall '87 rehearsal tape finds that neither Hubie nor I can even remember "I Paint", much less play it.... the song had already fallen by the wayside....just a few months after we had started rehearsing it!  Hearing that comment jogs my mind now that this demo "resuscitated" "I Paint", and we started doing it again in early 1988. I'm not sure how many of these words were written beforehand!  I think Ted was just jamming with the chords and the song....but, with some pruning, it became the last verse (sung by Hubie) of "I Paint".  Listening to this now, I so wish we had done this song with Frank, or Lawrence & Stevie!  I love Ted's harmony on the chorus on this, which was different from the way we sang it in LOOB (which you can hear....here!).


"It's All Right" (version 2) (1987)
Now the song as we know it is in place.


"...think with your mind....." (1987)
The first appearance of the chord progression that eventually wound up in "Dog Days". Psychedelic!  Ted is using the Rockman for all the electric guitar parts on these early 1987-88 demos.


"Something You Can Believe In" (1987)
"Something You Can Believe In" was done either in the trio era - but when we weren't recording the rehearsals.  Or else we did it during the Howie era. I can't quite remember. I think we did it with Howie. Ted in full Husker Du mode!

"New World Today" (1987)
We had done this during the Ward era; we had already stopped doing it by the time Ted made this demo for posterity.  Always loved this song and was bummed we couldn't do a serious job on it (at that time, we didn't do a serious job on ANY song, as you can hear pre-Suffolk Office tapes!).  Whenever I play this demo, I sing the great harmony line/melody that Hubie or Ward (or Hubie AND Ward) used to sing on the chorus.

"Rise" (1987)
The first version of this beautiful song that wound up attached to Hubie's "Inside The Rain" (prompting Hubie to dub it "Rain Into Rise"!)  "Rise.....into life".  Beautiful.  A very LOOB lyric, though maybe not so much the LOOB of '87! We started doing this pretty soon after it was written, and though it turned into an Irish parody at times, we developed a gorgeous middle part ("closer to thee...") that was spinetingling to sing!  As I said, it was resurrected at the end of 1990, when we attached it to the Hubie song.  For some reason, that  medley did not carry over to the Lawrence/Steve lineup.

"This Isn't Like Me" (1987)
Are you seeing a pattern here? All these songs are from 1987!  Most of the LOOB Ted songs came from these early demos, even though he was writing great stuff (see the first volume of Ted songs) all the way through.  Anyways, here again are those chords that wound up as the break for "Dog Days".  Like "Rise" we started doing "This Isn't Like Me" soon after it was written, and this may even be a demo done after we had started playing it. This was during the period where alot of Ted songs were about psychos! Again, I think alot of these words/melodies are improvised but he landed on something I loved: "Friends that I thought were mine all left me when my troubles started".  I loved that lyric, but I really loved the melody he sang.  So years later, when "Dog Days" needed a break, that's the part I zeroed in on.  Again - like Hubie - Ted was not precious about his songs that he wouldn't try stuff, throw stuff out, bring stuff in.....and so "Dog Days" really became a perfect song, with those great verses - and this wild break!

"Dog Days" (circa 1988-1989)
I can't speak for Hubie, but this song was so much fun to sing the harmony.  And as you can hear, Ted has it all worked out on this first demo!   As you can hear, this is not the break that we ended up with! (see the song before this one!) Often in demos, you don't have the whole song done, so when you get to those unfinished parts, you try a "hail mary" and sometimes you arrive at great stuff! So this break is just Ted trying something out off the top of his head.  Ironically, what would end up in this section IS exactly that, one of those "hail mary" moments, but from the old "This Isn't Like Me" demo!

"Four Walls" (included on the first volume)
One of my all time favorite Ted songs, and demos, and as relevant today as ever.


"Bum On The 4th Floor"
I always thought this song was really fun, but neither Hubie nor Frank took to it.  However, we did end up doing two other songs from the same batch, "Castles And Planes" and "Windstorm".  All three of these songs were demoed the same day, March 7, 1990.

"Windstorm" (1990)
We played this in acoustic sets and it sounded pretty much like this demo.

"Castles And Planes" (1990)
Here's a song LOOB did a good job on!  Always loved the verses, which Ted resurrected for the coda of "Another Million".


After I left the band, Ted scored a "hit" with "Ironlung", which I understand was a mainstay in LOOB sets for the remainder of his tenure! That's the one that goes..."sitting on a park bench!....snot running down his nose!...." oh wait, that's "Aqualung", different song altogether, nevermind.

Download here:
http://www.mediafire.com/download/hfe2hc6g9whjd4v/Ted+demos%2C+LOOB+songs+1987-1990.zip

Dropbox link (will only be active for a week or so)
https://www.dropbox.com/s/yqwee8tpgxamy9a/Ted%20demos%2C%20LOOB%20songs%201987-1990.zip?dl=0

Ted's Birthday, Nightingale Bar, June 18, 1992 (abridged)


 Happy Birthday, Ted!

Today is Teddy Day, here at - what do I call this thing again? - the LOOB Blog!  I'll be posting a few things that have been laying around, all written and digitized at different times.....a big portion of Ted today....starting with one of my fondest LOOB memories, the Ted Birthday gig at the Nightingale Bar.

There is a videotape of this memorable show in Dave Engelhardt's possession; when it's found, I'll have it digitized (along with all the other video I've yet to accomplish transfering).  In the meantime, enjoy a few excerpts from this two-set show.  I remember the video being really fun to watch.  Something is lost in translation to audiotape.  For one thing, we're particular sloppy....which was not unusual at Nightingales!  It was one of our favorite venues to play.....but it wasn't because of the sound system!  It really wasn't set up for a three vocalist group (one singing from the drumset), with another microphone for trumpet.....and a microphone for Steve! And you'd be really spread out, so no one could ever really hear each other.  Anyone who wants the full tape, just let me know, I'll get it to you.  For now, I'm posting just some highlights, but here's the two sets we played:


Having said all that, one of my favorite LOOB memories IS this show.  We promoted it as "Ted's Birthday"....hence the noisemakers and whistles you hear.  One fan of the band, a girl who had seen us somewhere, brought a whole tree of balloons!  Obviously, Ted was in on us promoting it as his birthday show.  What Ted didn't know is that we had planned a full blown celebration for him!  We made sure to end the set with Ted's "It's All Right" so that just as that song ended, Lauren and Sylvia brought up a birthday cake, complete with candles alight. We took a break, ate some cake, and returned for a second set.  We debut "Caveman", play a rockin' "Smile", and end the set with a wild "Gimme Fun", the entire audience furnished with whistles and percussion.

Can't wait to see the video for this! 

Years later, I went with a friend of mine to the Nightingale Bar to book a gig.  I hadn't been in the place since the LOOB days.  It was in the evening, the place was completely empty except for Tom.  I remember Tom was sitting at the bar, eating some pasta, watching the Howard Stern TV show on videotape, and he was not very communicative.

But when I mentioned Life Out Of Balance, and the Ted's Birthday show, he perked up, chuckled to himself and remembered that the tree of balloons  floated around the bar for weeks, gradually deflatin....until they blended in with the Nightingale Bar decor perfectly!


So get some birthday cake, and enjoy this snapshot of Ted's 24th!  I don't know how he's celebrating this year....but I can tell you that year there was no place he'd rather have been than playing with his band, at the Nightingale Bar. Oh what a night!

The first Ted post of the day!

excerpts from Nightingale Bar, 6/18/92
(end of 1st set)
ending of It's Warm Outside ->
I Owe ->
It's All Right ->
Happy Birthday

(end of 2nd set)
Caveman ->
Smile ->
No Excuses
Gimme Fun

Hubert Poole - guitar, vocal, percussion
Ted "Birthday Boy" Schreiber - bass, vocal, percussion
Lawrence Krauser - electric piano, synth, trumpet, merriment
Michael Goodman - drums, vocal
Steven Goodman - percussion, accordion, pennywhistle

recorded - and roadied! - by Chris Ivers

download here:
https://www.mediafire.com/?ivu4krsre4v9bry

or if you prefer Dropbox, this link will expire in a week or so:
https://www.dropbox.com/s/kpsizpopigu16p1/1992-06-18%20Ted%27s%20Birthday%20show%20%28abridged%29%2C%20Nightingales.zip?dl=0

Wednesday, June 17, 2015

"Bucketful Of Rice" - original mix! ("Sailing", too!)


Since I digitized those rehearsals I posted yesterday, "Bucketful Of Rice" has been in my head non-stop!  And wouldn't you know it.....I finally happened upon the original mix!!!  Superior to the one I did recently!  Ditto the original "Sailing" demo!  So here they are....for you!

I "de-noised" these two, and now I wish I've been doing that to everything on this blog! Most of the stuff posted is just tape to computer, with no processing.  I have the lossless files to everything, so I'll eventually "spiff up" the "best of LOOB"....one day.....!

All information about these two recordings can be found here....they were both done in January of 1990.

Ted & Hubie demos, original mixes
Bucketful Of Rice (All I Wanted)
Sailing

download here:
https://www.dropbox.com/s/ajt33tijqm5ekl5/1990-01%20Demos%20%28original%20mixes%29.zip?dl=0

Tuesday, June 16, 2015

Mystery Fez, June 13 & 16, 1992


Been taking a break, but here's a couple of rehearsals from 22 years ago.  Around this time, we were playing many gigs - but not rehearsing too much.  We had gotten a solid, core repertoire with the "new guys", Steve & Lawrence - but we wanted to bring in some new songs.  These rehearsals were specifically for expanding the songlist by trying to bring back a few old songs and to add a couple more Ted & Mike tunes, as we were getting sick of playing "It's All Right", and only "It's All Right"!  


Both of these rehearsals are heartwarming, we're in a great mood, and working our hats off.  There's not many rehearsal tapes with all five members of the "circus era" LOOB. In fact, I believe these are the only two! We had a big two-set gig booked for the 18th, in honor of Ted's birthday, so we were trying to get as many "new tunes" into the set as possible.  I'm going to post excerpts from both rehearsals (which will be of no interest to anyone else other than the band members that were there!); if anyone wants the full rehearsal tapes, just email me.

The 1st tape starts with us resurrecting "New Voice" from the dead and it gets approval from the attendees, including Chris Ivers, who is positioned right next to Steve.

 I'm including most of the versions we did of "Bucketful Of Rice" as you can hear us go from spirited but vocally all-over-the-place to a presentable arrangement we would debut at the Nightingales show. At one point, Steve suggests we do a bow at the end (ala Beatles).  We get excited about this, but I don't know if we actually did it live! At another point, he suggests ending with a five-part harmony - another good idea.

"On The Cover" surfaces for one last time and sounds great with electric piano and accordion.  We don't have the chords right for the middle bit, which is probably why it wasn't put into the set.  Because we lost the rehearsal space soon after, "On The Cover" got lost in the shuffle and we never returned to it (at least not while I was in the band). 

Ditto a song of mine "The Hardest Rain".  There are only two songs of mine I ever felt sounded good with LOOB.  One was a song called "Night", which we played in Hubie's basement in 1986.  The other was this one, 'The Hardest Rain", which - like "On The Cover" - was never followed-up on as we didn't have a rehearsal space.  These two versions from the 13th and the 16th are obviously not ready for performance, but we had a feel for it, and I love how Hubie and Ted join in on the vocals at times.  What broke my heart when I digitized these tapes is that they didn't capture a fantastic idea that we arrived at, probably after the rehearsal ended, in which each member "soloed" all at the same time......I can't even explain what this sounded like, and I tried for years to get other musicians I played with to get the idea......but had we worked a little more on this one (it had a million chord changes), it would have been one of the better Mike numbers.

The rehearsal on the 16th was our last at our rehearsal space, Mystery Fez (more on Mystery Fez in another post).  The tape opens with what I believe is the moment of conception for "Soon Come" and it is beautiful!    We are so excited after this that we talk excitedly for a long time.  Hubie at one point brings up an idea that must have been floating around regarding everyone switching instruments.  Knowing now that this is the last Mystery Fez tape, it makes sense why "Soon Come" (and other songs from these tapes) took so long to work up; we didn't have a rehearsal space!  Later that summer, I moved into The Red House, and converted the garage into our next studio; I think our first rehearsal there was in August.  That means no rehearsals between these June ones and August!

Hubie gets a round of applause for his guitar solo on "Dog Days", and we spend some time working on the vocals.  I believe these words were mostly replaced, as I don't recognize many of them.


At one point, I suggest "That's Not The Way"! Cool!  We rule out including "Dog Days" and "The Hardest Rain" in our upcoming show because they were too complicated to do on the fly.  (that's why we ended up doing "Caveman" and "Some Other", super easy tunes which we also rehearsed on these tapes).  But in just two rehearsals, we got "Bucketful Of Rice" up to a presentable state.


Mystery Fez, 6/13/92
New Voice
Bucketful Of Rice (All I Wanted)
rehearsing "Bucketful Of Rice" vocals
On The Cover
The Hardest Rain
Bucketful Of Rice

Mystery Fez, 6/16/92
Soon Come
Bucketful Of Rice (All I Wanted)
Bucketful Of Rice (All I Wanted)
Someone's In My Head (incomplete)
Dog Days
The Hardest Rain
Bucketful Of Rice (All I Wanted)
New Voice 


Hubert Poole - guitar, vocal
Ted Schreiber - bass, vocal
Lawrence Krauser - electric piano, trumpet
Michael Goodman - drums, vocal
Steven Goodman - percussion, accordion

both tapes recorded by "Fancyman" Chris Ivers (that's what's written on the tape box).  Obviously he was sitting very near Steve!


download here:
https://www.mediafire.com/?eibaslagl2bgbnl


or if you prefer Dropbox, this link will be up for a week or so:
https://www.dropbox.com/s/ltf4faepgvbq0du/1992-06-13%20%26%2016%20Mystery%20Fez.zip?dl=0